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标题: 【转贴】布鲁诺.瓦尔特,天才不为人知的那一面(第二页增加瓦尔特Discography) [打印本页]
作者: scfan 时间: 2012-5-8 23:15
标题: 【转贴】布鲁诺.瓦尔特,天才不为人知的那一面(第二页增加瓦尔特Discography)
本帖最后由 scfan 于 2012-5-19 21:54 编辑
布鲁诺.瓦尔特,天才不为人知的那一面
[德] 格策.蒂默 作
nolix 编译
转自豆瓣
[attach]49438[/attach]
布鲁诺.瓦尔特在50年前去世了。他是二十世纪后半叶最有影响力的指挥家之一。在1962年2月17日,他去世前不久,他录下了立体声的唱片。可见瓦尔特的思路在同龄的指挥家中还是卓有远见的。 奥托.克莱姆佩勒在60多岁时,接受了一次电视采访,他直言不讳地说出了自己与布鲁诺.瓦尔特在艺术上的区别。他说:“恕我冒昧,瓦尔特是个高尚道德者,而我是个“不道德者”。“这番话克莱姆配佩勒是用结结巴巴的英语表述出来的,没有作出更详尽的解释。这不禁让人浮想联翩。
或许克莱姆佩勒的有点嘲弄瓦尔特的意思,在瓦尔特的棒下,音乐是一种艺术,是人将自己从窘迫的存在中抽离出来,升华到更高层次的艺术。这可能是他所谓的“道德”,如果对应起瓦尔特在维也纳的一番发言就好理解些了,在这段话中瓦尔特着重提到了:“音乐中的道德力量”。 而对于克莱姆佩勒而言,音乐可能就是音乐,不是别的什么。瓦尔特更注重在音乐中表现人性及信仰的那一面。 早在1925年,弗里德.魏斯曼 ( Frieder Weissmann)在讲指挥艺术的书里就说到了:“音乐只有拥有了伦理的根基,才能被演绎出来。”1939年末,瓦尔特在给法塞尔(Fahsel)的信中说:“我比以往任何时候更深刻地感受到了音乐与神灵之间的联系。”
在一段时间里,瓦尔特曾陷入过两难的危机中。众所周知,他曾被迫离开过故乡德国(1933年)和有着亲密合作关系的奥地利城市维也纳(1938年)。瓦尔特原名布鲁诺·施莱辛格,是一位犹太会计员的孩子,在1897年他在马勒和他的妹妹的建议下把名字改成了瓦尔特,使得后来纳粹没有对他的犹太血统起疑。 1939年,他的二女儿格雷特尔被他嫉妒心强烈的丈夫杀害,原因是她和男低音埃奇奥·平扎(Ezio Pinza )传出了绯闻。可以想象,瓦尔特看似平和宽厚的指挥风格之下埋藏着多少生活的波澜。
瓦尔特属于为数不多的那一类指挥家——一站到指挥台上就会有一种自然而然的权威感,无需他多说什么。乐手们一见到他那充满亲和力与温暖人性的表情,会很自然地臣服于这种古典的平衡美感。 对于他的追随者来说,他的名字代表了人道主义,仿佛是太阳神阿波罗的使者。但是,人们绝不会将他与技巧高超,充满戏剧感和酒神般的狂喜这样的字眼联系起来。乐评人好像更愿意称他是一个老派的,严谨的指挥家,完全想象不出一些张力十足的晚期录音会出自他的手笔。看来给指挥家标签化的倾向误导了我们许多人。
让我们看一看瓦尔特对古斯塔夫.马勒的敬仰,以及他毕生花在指挥马勒作品上的心血——1960年4月24日是瓦尔特的最后一场音乐会,指挥纽约爱乐乐团演奏马勒的《大地之歌》,其中宽广的音乐气质是显而易见的。瓦尔特一生中最重要的会面应该是在1894年,18岁的他在汉堡城市歌剧院获得了一个伴奏的职位,当时马勒正是总指挥。但事实也不可否认,瓦尔特并非将马勒的每一部交响曲都一视同仁地热情对待:比如第七可能只演过一次,第六一次也没有。这两部作品应该对瓦尔特而言太悲观了些。尽管这样,马勒仍对他的这位“信徒”说过这样的话:“除了你,我不认识任何能这样理解我的人。”
在一些马勒爱好者的眼里,瓦尔特从来都没有上升到巅峰过。学者汉斯.沃尔施莱格留有一封阿多诺寄给他的信:“他(瓦尔特)和费丽尔女士所上演的《大地之歌》中所表现出的东西,能不能对天堂中的马勒负责(如果他也会去天堂),对此我深表怀疑。”如是针对马勒唱片中的那些“古典主义风格”持疑的语句应该大大出乎我们的意料。我们会反驳阿多诺这位哲学家,说瓦尔特的诠释最忠于歌词原意的,有一种乌托邦式的美好。
1952年5月在维也纳金色大厅,瓦尔特指挥维也纳爱乐,偕同尤利亚斯.帕扎克(Julius Patzak)和费丽尔献上了《大地之歌》。或许人们可以诟病这场演出中的平衡性和力度问题,但曲解马勒这项莫须有的罪名实在是成立不了的。敢问现场哪个观众会不被费丽尔唱出的“告别”一曲所打动?瓦尔特做得不够完美的地方或许在于,他将马勒音乐中的那种对比度大大削弱了。如果从伯恩斯坦惯常的角度看,我们承认的确如此,但瓦尔特偏偏就是一位从来不会刻意营造作品伤感氛围的指挥家。
无可争议的是,瓦尔特录下的五首交响曲是有卓著贡献的。其中1936年的《大地之歌》,1938年的第九交响曲和1947年的第五交响曲都算得上最早的唱片录音。在上世纪四五十年代,美国一部分著名评论家对马勒的反抗尤为引人关注,而瓦尔特从1946年起就成为了美国公民。奥林.道内斯(Olin Downes)称马勒的音乐是“低俗的”,与之相对的是马勒的录音反而越来越多。第一交响曲就有了六张现场录音和两个录音室版本。最抓人眼球,最有活力的要数1939年托斯卡尼尼带领NBC交响乐团录下的了。
与他永远的竞争对手威廉.福特文格勒不同是的,瓦尔特对唱片录制这件事情无所保留。在瓦尔特的第一张录音中,他就展现了了从节奏感里衍生出巨大能量的本领。柴可夫斯基的第六交响曲中,进行曲乐章是那么的耀眼(1925年和柏林城市交响乐团的录音)。而瓦尔特不仅擅长德奥曲目,也留下了柏辽兹《幻想交响曲》,拉威尔《西班牙狂想曲》之类的法国作品录音,展现出了他细腻敏感的那一面。
从四十年代直至去世开始,瓦尔特留下了一大批录音室录音,其实有一部分仍未被唱片公司发布出来。 索尼接盘之前的哥伦比亚唱片公司是瓦尔特最后二十年里关系最密切的合作伙伴,不仅发行了很多马勒的作品,更出过一套六张的莫扎特交响曲合集。其中,在1960年2月和哥伦比亚交响乐团一同录制的 《朱庇特》交响曲很能体现瓦尔特的晚期风格。它不如之前所录制的莫扎特中期作品那么炽热,而是以高贵、华丽、富丽堂皇打动人心。 那部1956年录制的安魂曲也是一个纪念碑般的成就。优秀的歌唱家在那里汇聚一堂,西弗里德(Irmgard Seefried)、图雷尔 (Jennie Tourel)、西摩尼奥(Léopold Simoneau)、瓦尔菲尔德(William Warfield) 和纽约爱乐乐团水乳交融。同样是和纽约爱乐,瓦尔特在1941到1953年录制了贝多芬(第六是和费城),在1951到1953年录制了勃拉姆斯,虽说都是单声道,但是音质超乎寻常的好。 瓦尔特的立体声录音相当少见,与哥伦比亚交响乐团的就是一例,那种澎湃的生命力很能说服人。
在最后的那些岁月里,瓦尔特无疑获益于那些(早年)公开或者私人化声音文献的发掘。像大部分指挥家一样,他的录音被笼罩上了一层光环。除了惯常我们称赞的莫扎特、贝多芬、马勒、布鲁克纳和柏辽兹,他还属于理查.瓦格纳的群体。虽说没有录下完整的瓦格纳歌剧是一个缺憾,人们仍对他在阿姆斯特丹的一份录音抱有期望。1936年3月15日,瓦尔特指挥了《漂泊的荷兰人》,这个诠释据说如同暴风骤雨,在场充溢着鞭笞和爆裂之声,让听众们屏住了呼吸。瓦尔特从1923年到1952年期间作为客座指挥造访过法国的奥尔良音乐厅,也从1934年起连续五年同门格尔贝尔格一道在阿姆斯特丹担任过常任第一指挥,那时他的水准可谓登峰造极。
那张在维也纳录制的《女武神》著名录音(丹麦男高音梅尔基奥尔和德国女高音洛特.雷曼)从1935年起就出现在了唱片公司的目录上了。今天,它被收录在了EMI,瓦尔特“Icon”系列的九张套装之中,除此之外,这个套装还包含了上世纪三十年代在维也纳上演的马勒《大地之歌》与第九交响曲)。在1952年的纽约,我们还留有一张现场录音,它出色地记录了瓦尔特是怎么指挥瓦格纳的,那真是为听众的幻想插上翅膀的一夜!弗拉格施塔德(Kirsten Flagstad)演唱了《众神的黄昏》中布伦希尔德的终曲,这位挪威女高音壮美,绚丽的嗓音被忠实地留至今日,瓦尔特所拥有,却不常出现的一个“舞台调度者”的身份也就此为我们所了解。
人们应该记得,瓦尔特最初就是以歌剧指挥家的身份(在科隆歌剧院)首度登台的。瞧瞧这位年逾六十的老人所指挥的威尔第吧,比如率领纽约大都会歌剧院乐团演奏的《假面舞会》与《命运之力》,他所展示的生命火焰和涌动的能量恐怕只有后来另外两位德国指挥家方能比拟——卡拉扬与卡洛斯.克莱伯。
瓦尔特是一个重视弱拍的指挥家,有能力营造出交响乐团转瞬即逝的音响效果。我们可以比较一下他在1942年指挥大都会歌剧院上演《唐璜》序曲的现场录音和福特文格勒在萨尔茨堡的同曲录音。我认为前者是无与伦比的,就拿那个D小调的和弦来说,给人的感觉仿佛是黑暗中的一堵墙壁,而富特文格勒那儿的效果无异于一场悲剧性叙述所带来的漫无边际的冲击感。我以为,它们两者昭示了戏剧与史诗的区别所在。 同样有意思的比较可以聚焦于贝多芬的第九交响曲:1947年11月13日,瓦尔特在伦敦指挥了一场进取感极强,斩钉截铁的贝多芬第九,与富特文格勒追求形而上的那一路风格相比可谓是另一个极端。
那么,以今天的视角看,布鲁诺.瓦尔特有哪些最为困扰我们的,或者让人失望的地方呢?无疑,从莫扎特到马勒,过分注重反复部已经成为了他不容商量的强硬习惯。另外,已经在历史录音里磨砺出“金耳朵”的乐迷们一定有点不满意他麾下还不够强悍的,乐队及演员方面的演出阵容。但是,如果撇开这两条不论,瓦尔特录音的聆听者可以清晰地感知到一个指挥家是如何饱含尊敬之心看待总谱,并在行动中付诸实践的。无论是新鲜感,生命力,还是乐曲内在的张力,瓦尔特的演绎都已经定义了一种标准。如果您还心生怀疑的话,请听一听贝多芬第一交响曲的开头段落,一个是由克里斯蒂安.蒂勒曼2008年在维也纳的指挥,另一个就是瓦尔特1947年在纽约留下的录音,不需要太多的几个小节,您应该就能够领略到“普通水准”与“天才”之间的差距了。分明地,上了年纪的那一位在音乐本质比年轻人更年轻。
作者: baiteng 时间: 2012-5-8 23:50
看来都买立体声的瓦尔特是我最大的失误
作者: alma 时间: 2012-5-8 23:54
本帖最后由 alma 于 2012-5-9 01:57 编辑
--------请听一听贝多芬第一交响曲的开头段落,一个是由克里斯蒂安.蒂勒曼2008年在维也纳的指挥,另一个就是瓦尔特1947年在纽约留下的录音,不需要太多的几个小节,您应该就能够领略到“普通水准”与“天才”之间的差距了。分明地,上了年纪的那一位在音乐本质比年轻人更年轻。
嗯,这个案例比较点到了蒂勒曼的短处。蒂勒曼哪壶不开提哪壶,这个作者够黑的。
作者: scfan 时间: 2012-5-9 07:56
呵呵,贝一交响曲看似简单,其实要弄好绝非易事。近来听听那些单声道老大师的录音,比如魏应加特纳、托斯卡尼尼,实在是比后来立体声时代一大票的中生代、新生代大师高出许多。
作者: lian-12 时间: 2012-5-9 11:00
瓦尔特的贝六(六眼立体声)!!!没有听过的朋友一定要听听.
作者: 桂猪 时间: 2012-5-9 14:03
本帖最后由 桂猪 于 2012-5-9 14:15 编辑
让我们看一看瓦尔特对古斯塔夫.马勒的敬仰,以及他毕生花在指挥马勒作品上的心血——1960年4月24日是瓦尔特的最后一场音乐会,指挥纽约爱乐乐团演奏马勒的《大地之歌》,其中宽广的音乐气质是显而易见的。
1960年4月24日并不是他最后一场音乐会,甚至不是最后一场马勒音乐会。提出4月24日这个时间让人费解。最后一场音乐会是勃拉姆斯作品,时间是1960年12月4日。
奥林.道内斯(Olin Downes)称马勒的音乐是“低俗的”,与之相对的是马勒的录音反而越来越多。第一交响曲就有了六张现场录音和两个录音室版本。最抓人眼球,最有活力的要数1939年托斯卡尼尼带领NBC交响乐团录下的了。
很明显托斯卡尼尼没有这样的录音,我想是翻译时疏忽,原文估计是托斯卡尼尼的NBC。这个1939年的马一乐团和指挥都极为投入,热烈振奋的程度在瓦尔特的马一录音中独一无二。
这是目前看到的中文网络上最好的一篇写瓦尔特艺术的文章。
作者: metamophore 时间: 2012-5-10 06:22
看来,指挥学派中浪漫主义与即物主义之分非但始于伯恩斯坦与伯姆,而是瓦尔特、托斯卡尼尼与富特温格勒始自,更远是理查·施特劳斯与汉斯·冯·彪洛。布鲁诺·瓦尔特,大浪漫派马勒的忠实学徒,然而,其艺术哲学从来是反浪漫的,他更像是施特劳斯的拥趸。
作者: 桂猪 时间: 2012-5-10 10:17
看来,指挥学派中浪漫主义与即物主义之分非但始于伯恩斯坦与伯姆,而是瓦尔特、托斯卡尼尼与富特温格勒始自,更远是理查·施特劳斯与汉斯·冯·彪洛。布鲁诺·瓦尔特,大浪漫派马勒的忠实学徒,然而,其艺术哲学从来是反浪漫的,他更像是施特劳斯的拥趸。metamophore 发表于 2012-5-10 06:22
我个人觉得浪漫派不是铁板一块,也不可能是。浪漫派内部也有不同取向,很难说哪些是,哪些就不是。比如马勒和富特文格勒的浪漫就肯定不同的。
关于瓦尔特的反浪漫,小弟无法理解这种说法。望兄略述一二。
作者: metamophore 时间: 2012-5-10 13:26
瓦尔特并不是反浪漫啊,反浪漫也非即物主义,兄台所说极是,浪漫派也非铁板一块。但瓦尔特绝对不是温情泛滥的浪漫派,和他师父比起来,他更像是施特劳斯的学徒。老一辈的大师,在总谱的纸面上跳舞,舞起绚丽的华尔兹,但并不超出总谱和作曲家的原旨,即便是演出大浪漫的马勒,也还是分寸感把握得很好(47年《马五》即是这样的演出)。这种尺度感实际上非常温暖,到瓦尔特这里,他把乐句和节拍都调度起来歌唱,但又不是随心所欲地自顾自己滥情。
今早重听巴比罗利的舒伯特《伟大》,第一乐章的末段那句造句那种雄起和澎湃,内在的功力并不是能靠延长小节线的时值和加强节拍的力度等简单的想象就能做出来的。
作者: shinelb 时间: 2012-5-10 18:57
瓦尔特的贝六(六眼立体声)!!!没有听过的朋友一定要听听.
lian-12 发表于 2012-5-9 11:00
这可能是最贵的瓦尔特的6眼唱片了。
作者: 笑乐 时间: 2012-5-10 19:24
瓦尔特的贝六(六眼立体声)!!!没有听过的朋友一定要听听.
lian-12 发表于 2012-5-9 11:00
这是贝六中最耀眼的旗帜。
作者: lian-12 时间: 2012-5-11 12:54
这可能是最贵的瓦尔特的6眼唱片了。
shinelb 发表于 2012-5-10 18:57
是马拉犁那张.
作者: shinelb 时间: 2012-5-11 17:53
是马拉犁那张.
lian-12 发表于 2012-5-11 12:54
那张《英雄》也很贵。就是M兄说的士兵戴头盔那张。
作者: metamophore 时间: 2012-5-11 22:33
这两张六眼实在应该一再聆听:一张是简约派风情万种,颠覆“食古不化”的《田园》;另一张没有掺入任何个人主观色彩“演绎”的炽烈活力的《英雄》。
作者: shinelb 时间: 2012-5-12 14:08
这两张LP应该是瓦尔特最贵的黑胶唱片。
作者: 虎口脱险 时间: 2012-5-14 09:32
应该都不算贵的,估计发行量很大。
作者: scfan 时间: 2012-5-19 21:52
________________________________________________________________________________
Recorded Performances of Bruno Walter (1876–1962)
Compiled by James Altena, Steven Reveyoso, and Erik Ryding
The following list—a supplement to the biography Bruno Walter: A World Elsewhere, by Erik Ryding and Rebecca Pechefsky (Yale University Press, 2001; paperback, University of Nebraska Press, 2006)—is intended to show what is currently known to have been recorded by Walter. Along with the well-known studio recordings, it includes live recordings issued by independent labels as well as those now in archives or in private collections. We have not listed every reissue of every recording, which would have made this list extremely long and cumbersome, but have nevertheless tried to note all the important releases and to include verified recordings of every performance captured on disk or tape. As a result, this listing contains far more entries than any other Walter discography yet issued, though it omits matrix numbers—given in Pickett, Arnold, and andante.com, cited below.
We owe special thanks to Michael Gray, James North, Rolland Parker, David Pickett, Jon Samuels, and Don Tait, who provided much invaluable information. In addition, the following discographies, listed in reverse chronological order, have proved indispensable:
Rémy Louis, “Bruno Walter au disque,” Diapason 415, supplement (May 1995): xiv–xviii
“Discografia di Bruno Walter,” prefaced by Umberto Masini, Musica 8 (June 1984): 32–39
David A. Pickett, “A Bruno Walter Discography—Part One: Commercial Recordings: Issued Discs Only,” revised by Richard Warren Jr. (Bruno Walter Society, 1973)
Robert C. Marsh, “The Heritage of Bruno Walter,” High Fidelity 14 (1964): 44–48, 103–9
F. F. Clough and G. J. Cuming, “Diskography,” Gramophone Record Review (August & September 1959): 718–19, 824
The online discography presented by andante.com has also supplied many valuable details and is highly recommended. Another important resource for acoustic recordings is Claude Arnold’s The Orchestra on Record, 1896–1926 (Westport, Conn.: Greenwood Press, 1997). An admirable new Walter discography is included in Michele Selvini’s Bruno Walter: La porta dell’eternità (Milan: Fondazione Culturale della Collina d’Oro, 1999–2001), Volume 3. (Though currently available only in Italian, this book is a must for Walterians and is surely the most beautiful tribute ever produced to honor a musician.)
In several instances, we have listed recordings now in private collections. Some of these are cassettes and CDRs that have circulated among collectors, others unique acetates that have never reached more than a handful of listeners. We hope that these precious sound documents will eventually find a larger audience.
We have sometimes supplied information in brackets where dates and venues seemed likely but not certain.
This listing is, by its nature, an ongoing project. A few archival sources must be more thoroughly examined; moreover, previously unknown recordings are continually being uncovered, and new releases featuring Walter performances are issued almost monthly. This discography will be regularly updated, and further entries will include Walter’s spoken-word recordings.
The current version, launched on April 15, 2001, runs to some eighty printed pages. Naturally the compilers of this list welcome further additions, comments, corrections, and queries. Those wishing to contact us should address their comments to walteriana@aol.com.
We would like to extend our thanks to Satoru Aihara, Bruno Barthelmé, Lesley Chamberlain, Gabor Danos, Rob DeLand, Eric Grunin, Jim Hollis, Danno Katsuyuki, Mark W. Kluge, Thomas McCarthy, Paul Miller, Joseph A. Moore, Kazuo Ohmi, Dana Prescott, Gary Simons, Koho Uno, and Jeffrey Work for their very helpful comments, recommendations, and contributions.
Last updated: June 4, 2010
_______________________________________________________________
BACH, JOHANN SEBASTIAN
Bach: Concerto for Violin in E major, BWV 1042
John Corigliano, Violin; New York Philharmonic
May 20, 1945; Carnegie Hall (live broadcast)
• Source: Private collection ________________________________________________________________ Bach: Concerto for Violin in G minor (arranged from the Concerto for Harpsichord in F minor, BWV 1056)Joseph Szigeti, Violin; New York Philharmonic
December 23, 1954; Carnegie Hall (live performance)
• Source: Sony Music Archives ________________________________________________________________ Bach: Matthäus-Passion (St. Matthew Passion)Bach: St. Matthew Passion (Part 1 and excerpts from Part 2; in English, with cuts)
(a) Nadine Conner (S), Jean Watson (A), William Hain (T; Evangelist), Lorenzo Alvary (B; Jesus), Mack Harrell (Bar), Herbert Janssen (Bar); Westminster Choir, New York Philharmonic
April 18, 1943; Carnegie Hall (live performance)
• Source: New York Philharmonic Archives
Bach: St. Matthew Passion (Part 1 only, in English, with cuts)
(b) Nadine Conner (S), Jean Watson (A), William Hain (T; Evangelist), Lorenzo Alvary (B; Jesus), Mack Harrell (Bar), Herbert Janssen (Bar); Westminster Choir, New York Philharmonic
April 1, 1945; Carnegie Hall (live broadcast)
• LP: Bruno Walter Society WSA 702/3
• CD: AS Disc AS 406; Minerva Records 20
________________________________________________________________
Bach: Prelude and Fugue in C-sharp minor, Well-Tempered Clavier, Book I (BWV 849)Bruno Walter, Piano
July 2, 1952; Bruno Walter’s home, Beverly Hills (live performance)
• LP: Bruno Walter Society BWS 807
________________________________________________________________
BARBER, SAMUEL
Barber: Symphony No. 1
Barber: Symphony No. 1
(a) New York Philharmonic
[March 12,] 1944; Carnegie Hall (live broadcast)
• 78: Overseas Branch Office of the War Information ND 4-MC-5921–5926, Contemporary American Music Series No. 32
Barber: Symphony No. 1
(b) New York Philharmonic
January 23, 1945; Carnegie Hall
• 78: Columbia X252 & MX252
• LP: Educational Media Associates EMA 105
• CD: Sony SMK 64466; History 205246-303
________________________________________________________________
BARTÓK, BÉLA
Bartók: Andante for Violin and Orchestra (from Two Portraits, Opus 5, No. 1)
Joseph Szigeti, Violin; New York Philharmonic
December 23, 1954; Carnegie Hall (live performance)
• Source: Sony Music Archives
________________________________________________________________
BEETHOVEN, LUDWIG VAN
Beethoven: “Ah, perfido!” Opus 65
Beethoven: “Ah, perfido!”
Eleanor Steber, Soprano; New York Philharmonic
April 14, 1949; Carnegie Hall (live performance)
• Source: Private collection
Beethoven: “Ah, perfido!”
Eleanor Steber, Soprano; New York Philharmonic
April 15, 1949; Carnegie Hall (live performance)
• Source: Private collection
________________________________________________________________Beethoven: Concerto for Piano No. 4 in G major, Opus 58
Arthur Rubinstein, Piano; New York Philharmonic
May 27, 1945; Carnegie Hall (live broadcast)
• Source: Private collection
________________________________________________________________Beethoven: Concerto for Piano No. 5 in E-flat major, Opus 73 (“Emperor”)
Beethoven: “Emperor” Concerto
(a) Walter Gieseking, Piano; Vienna Philharmonic
September 10 & 11, 1934, or October 6 or 10, 1934; Musikvereinssaal
• 78: Columbia M243; LX 342-346
• LP: Turnabout THS 65011
• CD: Appian APR 5512; LYS 518-9; EMI (Japan) TOCE 7761-74
Beethoven: “Emperor” Concerto
(b) Rudolf Serkin, Piano; New York Philharmonic
December 22, 1941; Carnegie Hall
• 78: Columbia M-500 & MM-500
• LP: Columbia ML-4004; Odyssey Y-34607
• CD: SMK 64489; LYS 308-309; Historical Performers HP15; andante 41022-25
Beethoven: “Emperor” Concerto
(c) Rudolf Serkin, Piano; New York Philharmonic
January 31, 1943; Carnegie Hall (live broadcast)
• Source: Private collection
________________________________________________________________
Beethoven: Concerto for Violin in D major, Opus 61
Beethoven: Concerto for Violin
(a) Joseph Szigeti, Violin; British Symphony Orchestra
April and May 1932; Central Hall, Westminster
• 78: Columbia M 177; HQM 1224
• CD: Iron Needle IN 1302; LYS 518-9; EMI (Japan) TOCE 8051-64; Opus Kura OPK 2029 (Japan)
Beethoven: Concerto for Violin
(b) Joseph Szigeti, Violin; New York Philharmonic
April 5, 1947; Carnegie Hall
• LP: Columbia ML 4012
• CD: Sony MPK 52536; Sony SMK 64459
Beethoven: Concerto for Violin
(c) Erica Morini, New York Philharmonic
March 13, 1949; Carnegie Hall (live performance)
• Source: New York Philharmonic Archives
Beethoven: Concerto for Violin
(d) Camilla Wicks, Violin; New York Philharmonic
February 15, 1953; Carnegie Hall (live broadcast)
• CD: AS Disc 423; Legend LGD 114
Beethoven: Concerto for Violin
(e) Zino Francescatti, Violin; Columbia Symphony Orchestra
January 26, 1961; American Legion Hall
• LP: Columbia ML 5663; Columbia (UK) BRG 72006; stereo: Columbia MS 6263; Columbia (UK) SBRG 72006
• CD: Sony SBK 47659
_______________________________________________________________
Beethoven: Concerto for Violin, Cello, and Piano in C major, Opus 56 (“Triple”)
Beethoven: “Triple” Concerto
(a) John Corigliano, Violin; Leonard Rose, Cello; Walter Hendl, Piano; New York Philharmonic
March 21, 1949; 30th Street Studio
• 78: Columbia MM-842
• LP: Columbia ML 2059 (10") & ML 5368; Educational Media Associates EMA 105
• CD: Sony SMK 64479
Beethoven: “Triple” Concerto
(b) John Weicher, Violin; János Starker, Cello; George Schick, Piano; Chicago Symphony Orchestra
February 3, 1954; Chicago (live broadcast)
• Source: Private collection
________________________________________________________________
Beethoven: “Coriolan” Overture, Opus 62
Beethoven: “Coriolan” Overture
(a) Berlin Philharmonic Orchestra
August 28 & 30, 1923, or October 8–9, 1923; [Berlin]
• 78: Polydor 69587, 65895
• LP: DG 2740-259
Beethoven: “Coriolan” Overture
(b) London Symphony Orchestra
September 12, 1938; Abbey Road Studio No. 1
• 78: HMV DB 3638
• CD: Dutton Laboratories CDLX 7008; LYS 518-9; EMI (Japan) TOCE 8051-64
Beethoven: “Coriolan” Overture
(c ) New York Philharmonic
April 17, 1949; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: “Coriolan” Overture
(d) Columbia Symphony Orchestra
April 15, 1959; American Legion Hall
• LP: Columbia ML 5887 & MS 6487
• CD: Sony SMK 64460; Sony SK 93012
________________________________________________________________
Beethoven: “Egmont” Overture, Opus 84
Beethoven: “Egmont” Overture
(a) New York Philharmonic
January 31, 1943; Carnegie Hall (live broadcast)
• Source: Private collection
• CD: Wing Disc WCD 16 (apparently the same performance as above, misdated July 11, 1943)
Beethoven: “Egmont” Overture
(b) New York Philharmonic
November 7, 1943; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: “Egmont” Overture
(c) Berlin Philharmonic
September 25, 1950; Titania Palast, Berlin (live broadcast)
• LP: BWS 726
• CD: Arkadia GI 738.1
Beethoven: “Egmont” Overture
(d) New York Philharmonic
December 6, 1954; 30th Street Studio
• LP: Columbia ML 5332; P 15441 (electronic stereo); BM 13; WZ 1
• CD: Sony SMK 64488; Sony SK 93012; Sony (France) 5087142003
________________________________________________________________
Beethoven: Fidelio (all three with the “Leonore” Overture No. 3 inserted before the chorus “Heil sei dem Tag”)
Beethoven: Fidelio
(a) Kirsten Flagstad (Leonore), René Maison (Florestan), Julius Huehn (Pizarro), Marita Farell (Marzelline), Alexander Kipnis (Rocco), Karl Laufkötter (Jaquino), Herbert Janssen (Fernando), Emery Darcy and John Gurney (First and Second Prisoners); Konrad Neuger, Chorus Master
February 22, 1941; (Old) Metropolitan Opera House (live broadcast)
• LP: Bruno Walter Society BWS 712/3; Metropolitan Opera Historic Broadcast MET-6
• CD: Naxos 8.110054-55 (with commentary by Milton Cross); Dante LYS 23/24
Beethoven: Fidelio (sung in English)
(b) Regina Resnik (Leonore), Arthur Carron (Florestan), Kenneth Schon (Pizarro), Hugh Thompson (Fernando), Lorenzo Alvary (Rocco), Frances Greer (Marzelline), John Garris (Jaquino), Richard Manning and John Gurney (First and Second Prisoners)
March 17, 1945; (Old) Metropolitan Opera House (live broadcast)
• CD: Wing (Japan) WCD 105-6; Walhall WHL 29 (highlights)
Beethoven: Fidelio
(c) Kirsten Flagstad (Leonore), Set Svanholm (Florestan), Paul Schöffler (Pizarro), Jerome Hines (Fernando), Dezsö Ernster (Rocco), Nadine Conner (Marzelline), Peter Klein (Jaquino), Brian Sullivan and George Cehanovsky (First and Second Prisoners)
March 10, 1951; (Old) Metropolitan Opera House (live broadcast)
• LP: Bruno Walter Society; OPR 402
• CD: Cantus Classics 5.00945
________________________________________________________________
Beethoven: Fidelio – Overture
(a) BBC Symphony Orchestra
May 21, 1934; Abbey Road Studio No. 1
• 78: RCA Victor11809, DB 2261
• CD: Iron Needle IN 1302; LYS 518-9; EMI (Japan) TOCE 8051-64
________________________________________________________________
Beethoven: “Die Geschöpfe des Prometheus” (“Creatures of Prometheus”), Opus 43 – Overture
Beethoven: “Prometheus” Overture
(a) British Symphony Orchestra
1930; London
• 78: Columbia LX 277
• CD: EMI (Japan) TOCE 8051-64
Beethoven: “Prometheus” Overture
(b) Philadelphia Orchestra
February 14, 1944; Academy of Music (live broadcast)
• Source: Private collection
Beethoven: “Prometheus” Overture
(c) Boston Symphony Orchestra
January 21, 1947; Symphony Hall (live performance)
• Source: Wing (Japan) WCD 58
Beethoven: “Prometheus” Overture
(d) New York Philharmonic
December 20, 1953; Carnegie Hall (live broadcast)
• CD: Nuova Era 2201
________________________________________________________________
Beethoven: “Leonore” Overture No. 2, Opus 72a
(a) New York Philharmonic
March 17, 1946; Carnegie Hall (live performance)
• Source: • CD: Music and Arts CD-1110
(b) Columbia Symphony Orchestra
July 1, 1960; American Legion Hall
• LP: Columbia ML 5887 & MS 6487
• CD: Sony SMK 64488; Sony (France) 5087152
________________________________________________________________
Beethoven: “Leonore” Overture No. 3, Opus 72a
Beethoven: “Leonore” Overture No. 3
(a) Vienna Philharmonic
May 21, 1936; Musikvereinssaal
• 78: RCA Victor V-M359; HMV DB 2886/6
• LP: Educational Media Associates EMA 105
• CD: Preiser 90157; LYS 518-9; EMI (Japan) TOCE 7761-74; Opus Kura OPK 2021 (Japan)
Beethoven: “Leonore” Overture No. 3
(b) New York Philharmonic
[May 13, 1945; Carnegie Hall] (live broadcast)
• CD: Arbiter 138
Note: The date given in the accompanying booklet, May 26, 1946, is incorrect; Arbiter has since placed the performance in 1945. If this is the correct year, May 13 is the most likely date of the performance, since it marks the only New York Philharmonic broadcast of Beethoven’s “Leonore” Overture No. 3 by Walter in 1945.
Beethoven: “Leonore” Overture No. 3
(c) New York Philharmonic
May 13, 1945; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: “Leonore” Overture No. 3
(d) New York Philharmonic
December 6, 1954; 30th Street Studio
• LP: Columbia ML 5232 & ML 5368
• CD: Sony SMK 64487
________________________________________________________________
Beethoven: Lieder – “Wonne der Wehmut,” Opus 83, No. 1; “Mit einem gemalten Bande,” Opus 83, No. 2
Elisabeth Schumann, Soprano; Bruno Walter, Piano
February 4, 1950; Town Hall, New York (live performance)
• LP: Voce-117
________________________________________________________________
Beethoven: Missa solemnis
Eleanor Steber (S), Nan Merriman (A), William Hain (T), Lorenzo Alvary (B); Westminster Choir, New York Philharmonic; John Finley Williamson, Chorus Master
April 18, 1948; Carnegie Hall (live broadcast)
• LP: Bruno Walter Society BWS 1017; CLS ARPCL 22015
• CD: AS Disc AS 301; Urania 22.135; Iron Needle IN 1418; Music & Arts CD 1142(1)
Note: The recent transfer on Music & Arts CD 1142(1) is vastly superior to the transfers on other CD issues of this performance.
________________________________________________________________
Beethoven: Symphonies (Complete)
Beethoven: Nine Symphonies
(a) New York Philharmonic and (for No. 6 only) Philadelphia Orchestra
1941–53
• LP: Odyssey 32660001 (with 1949 recording of Symphony No. 3, 1950 recording of Symphony No. 5, and 1953 recording of the last movement of Symphony No. 9)
• CD: Music & Arts CD-1137 (with 1941 and 1949 recordings of Symphony No. 3, 1941 and 1950 recordings of Symphony No. 5, and 1949 recording of the last movement of Symphony No. 9)
Beethoven: Nine Symphonies
(b) Columbia Symphony Orchestra
1958–59
• LP: Columbia D7L 265 & D7S 610; Odyssey Y7 30051
• CD: CBS/Sony SX6K 48099
________________________________________________________________
Beethoven: Symphony No. 1 in C major, Op. 21
Beethoven: Symphony No. 1
(a) NBC Symphony Orchestra
March 25, 1939; Studio 8-H (live broadcast)
• Source: Eklipse (Japan) T-4; Serenade (Japan) SEDR-13; Arbiter 138
Beethoven: Symphony No. 1
(b) New York Philharmonic
November 29, 1947; Carnegie Hall
• 78: Columbia MM 796 (12924/27-D)
• LP: Columbia ML 4790
• CD: Sony (Japan) SRCR 8677
Beethoven: Symphony No. 1
(c) Columbia Symphony Orchestra
January 6 & 8, 1958; American Legion Hall
• LP: Columbia ML 5398; Philips ABL 3346; Columbia (UK) 72056; stereo: Columbia MS 6078; Philips SABL 168; Columbia (UK) SBRG 72056
• CD: CBS/Sony MK 42009; Sony SMK 64460
________________________________________________________________
Beethoven: Symphony No. 2 in D major, Opus 36
Beethoven: Symphony No. 2
(a) New York Philharmonic
March 6, 1949; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 2
(b) New York Philharmonic
March 17, 1952; 30th Street Studio
• LP: Columbia ML 4596; Philips ABL 3240; Columbia (UK) GBL 5616
• CD: Sony (Japan) SRCR 8676
Beethoven: Symphony No. 2
(c) Columbia Symphony Orchestra
January 5 & 9, 1959; American Legion Hall
• LP: Columbia ML 5398; Philips ABL 3346; Columbia (UK) BRG 72056; stereo: Columbia MS 6078; Philips SABL 168; Columbia (UK) SBRG 72056
• CD: CBS/Sony MK 42009; Sony SMK 64460
________________________________________________________________
Beethoven: Symphony No. 3 in E-flat major, Op. 55 (“Eroica”)
Beethoven: Symphony No. 3
(a) New York Philharmonic
January 19, 1941; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 3
(b) New York Philharmonic
January 20, 1941; Liederkranz Hall
• 78: Columbia M 449
• LP: Educational Media Associates EMA 105; CBS/Sony (Japan) SOCF 104
• CD: LYS 308-309; Sony (France) 5087142003 (listed as the performance of March 21, April 16, and May 4, 1949)
Beethoven: Symphony No. 3
(c) Philadelphia Orchestra
February 19, 1944; Academy of Music (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 3
(d) New York Philharmonic
February 27, 1949; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 3
(e) New York Philharmonic
March 21, April 16, and May 4, 1949; 30th Street Studio
• 78: Columbia MM 858
• LP: Columbia ML 4228; Philips ABL 3241; Columbia (UK) 5617
• CD: History 205243-303 (listed as the performance of January 20, 1941); Theorema TH 121.143; Sony (France) 5087142003 (see note)
Note: Sony (France) 5087142003 is actually the performance of January 20, 1941
Beethoven: Symphony No. 3
(f) Symphony of the Air
February 3, 1957; Carnegie Hall (live performance)
• LP: Bruno Walter Society 1010
• CD: Music & Arts CD 1010
Beethoven: Symphony No. 3
(g) Columbia Symphony Orchestra
January 20, 23, and 25, 1958; American Legion Hall
• LP: Columbia ML 5320; Philips ABL 3347; Columbia (UK) 72057; stereo: Columbia MS 6036; Philips SABL 132; Columbia (UK) 72057
• CD: CBS/Sony MK 42010; Sony SMK 64461
________________________________________________________________
Beethoven: Symphony No. 4 in B-flat major, Opus 60
Beethoven: Symphony No. 4
(a) New York Philharmonic
May 27, 1945; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 4
(b) New York Philharmonic
March 20, 1949; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 4
(c) New York Philharmonic
March 24, 1952; 30th Street Studio
• LP: Columbia ML 4596; Philips ABL 3240; Columbia (UK) GBL 5616
• CD: Sony (Japan) SRCR 8676
Beethoven: Symphony No. 4
(d) Chicago Symphony Orchestra
January 23, 1957; WGN-TV Studios, Chicago (live telecast)
• Source: Private collection
Beethoven: Symphony No. 4
(e) Columbia Symphony Orchestra
February 8 & 10, 1958; American Legion Hall
• LP: Columbia ML 5365; Philips ABL 3348; Columbia (UK) BRG 72058; stereo: Columbia MS 6055; Philips SABL 167; Columbia (UK) 72058
• CD: CBS/Sony MYK 37773 & MK 42011; Sony SMK 64462
Beethoven: Symphony No. 4 (rehearsal of Adagio only)
(f) Columbia Symphony Orchestra
February 8, 1958; American Legion Hall
• CD: Sony SMK 64465 (mono only)
________________________________________________________________
Beethoven: Symphony No. 5 in C minor, Opus 67
Beethoven: Symphony No. 5
(a) Royal Philharmonic Orchestra
November 19–22, 1926; Columbia Petty France Studios, London
• 78: WAX 2196/2200 (matrix number; recording never issued)
Beethoven: Symphony No. 5
(b) New York Philharmonic
December 15, 1941; Liederkranz Hall
• 78: Columbia M 498
• LP: Columbia ML 4009
• CD: LYS 308-309
Beethoven: Symphony No. 5
(c) New York Philharmonic
February 13, 1950; 30th Street Studio
• LP: Columbia CL 918 & ML 4790; Philips ABL 3239; Columbia (UK) GBL 5615
Beethoven: Symphony No. 5
(d) Columbia Symphony Orchestra
January 27 & 30, 1958; American Legion Hall
• LP: Columbia ML 5365 & ML 5906; Philips ABL 3348; Columbia (UK) BRG 72058; stereo: Columbia MS 6055 & MS 6506; Philips SABL 167; Columbia (UK) SBRG 72038
• CD: CBS/Sony MK 42011; Sony SMK 64463; Sony SK 93012
Beethoven: Symphony No. 5 (rehearsal of Allegro con brio only)
(e) Columbia Symphony Orchestra
January 27, 1958; American Legion Hall
• CD: Sony SMK 64465 (mono only); Sony SK 93012
________________________________________________________________
Beethoven: Symphony No. 6 in F major, Opus 68 (“Pastoral”)
Beethoven: Symphony No. 6
(a) Vienna Philharmonic
December 5 (or 17 & 18), 1936; Musikvereinssaal
• 78: G 20; HMV DB 3051/5
• CD: Preiser 90157; EMI CZS5751332; LYS 518-9; EMI (Japan) TOCE 7761-74; Opus Kura OPK 2021 (Japan)
Beethoven: Symphony No. 6
(b) New York Philharmonic
May 14, 1944; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 6
(c) Philadelphia Orchestra
January 10 & 12, 1946; Academy of Music
• 78: Columbia M 631
• LP: Columbia ML 4010; Philips ABL 3242; Columbia (UK) GBL 5616
• CD: Sony (Japan) SRCR 8678; Sony (France) 5087152
Beethoven: Symphony No. 6
(d) New York Philharmonic
April 10, 1949; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 6
(e) New York Philharmonic
May 1, 1949; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 6
(f) Columbia Symphony Orchestra
January 13, 15, 17, 1958; American Legion Hall
• LP: Columbia ML 5284; Philips ABL 3349; Columbia (UK) BRG 72059; stereo: Columbia MS 6012; Philips SABL 133; Columbia (UK) SBRG 72059
• CD: CBS/Sony MK 42012; Sony SMK 64462
• SACD: Sony SS 2498
________________________________________________________________
Beethoven: Symphony No. 7 in A major, Opus 92
Beethoven: Symphony No. 7
(a) New York Philharmonic
March 20, 1949; Carnegie Hall (live broadcast)
• Source: Private source – unverified
Beethoven: Symphony No. 7
(b) New York Philharmonic
March 12, 1951; 30th Street Studio
• LP: Columbia ML 4414; Philips ABL 3350; Columbia (UK) GBL 5619
• CD: Sony (Japan) SRCR 8679; Historical Performers HP15
Beethoven: Symphony No. 7
(c) RAI Symphony Orchestra
May 18, 1954; Rome (live performance)
• CD: Tahra TAH 620-621
Beethoven: Symphony No. 7
(d) Columbia Symphony Orchestra
February 1 & 3, 1958; American Legion Hall
• LP: Columbia ML 5404; Philips ABL 3350; Columbia (UK) BRG 72060; stereo: Columbia MS 6082; Philips SABL 166; Columbia (UK) SBRG 72060
• CD: CBS/Sony MK 42013; Sony SMK 64463
Beethoven: Symphony No.7 (rehearsal of Poco sostenuto—Vivace only)
(e) Columbia Symphony Orchestra
February 1, 1958; American Legion Hall
• CD: Sony SMK 64465 (mono only)
________________________________________________________________
Beethoven: Symphony No. 8 in F major, Opus 93
Beethoven: Symphony No. 8
(a) New York Philharmonic
April 18, 1942; Liederkranz Hall
• 78: Columbia M 525
• LP: Columbia SL 186 & ML 2001 (10"); Philips ABL 3243; Columbia (UK) GBL 5619
• CD: Sony (Japan) SRCR 8679; LYS 308-309; History 205243-303
Beethoven: Symphony No. 8
(b) New York Philharmonic
January 31, 1943; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 8
(c) New York Philharmonic
March 13, 1949; Carnegie Hall (live broadcast)
• Source: New York Philharmonic Archives
Beethoven: Symphony No. 8
(d) Columbia Symphony Orchestra
January 8, 10, 13, 1958; American Legion Hall
• LP: Columbia M2L 264; Philips ABL 3351/2; Columbia (UK) BRG 72061/2; stereo: Columbia M2S 608; Philips SABL 169/70; Columbia (UK) 72061/2
• CD: CBS/Sony MK 42013; Sony SMK 64461
________________________________________________________________
Beethoven: Symphony No. 9 in D minor, Opus 125 (“Choral”)
Beethoven: Symphony No. 9
(a) Eleanor Steber (S), Enid Szantho (A), Charles Kullman (T), Nicola Moscona (B); New York Philharmonic; Westminster Choir; John F. Williamson, Chorus Master
March 19, 1944; Carnegie Hall (live broadcast)
• Source: Rodgers & Hammerstein Archives of Recorded Sound
• CD: Wing Disc WCD 16 (with several minutes taken from the studio recording of April 16, 1949, and also with the announcer’s voiceover for several measures in the middle of the first movement)
Beethoven: Symphony No. 9
(b) Isobel Baillie (S), Kathleen Ferrier (A), Heddle Nash (T), William Parsons (Bar); London Philharmonic Orchestra and Choir; Frederic Jackson, Chorus Master
November 13, 1947; Royal Albert Hall (live broadcast)
• LP: BWS 742
• CD: Music & Arts CD-733
Beethoven: Symphony No. 9
(c) Irma Gonzalez (S), Elena Nikolaidi (A), Raoul Jobin (T), Mack Harrell (Bar); New York Philharmonic; Westminster Choir; John F. Williamson, Chorus Master
April 16 and (last movement) May 4, 1949; 30th Street Studio
• 78: Columbia MM 900
• LP: Columbia SL 156
Beethoven: Symphony No. 9
(d) Eleanor Steber (S), Nan Merriman (MS), Raoul Jobin (T), Mack Harrell (Bar); New York Philharmonic; Westminster Choir; John F. Williamson, Chorus Master
April 17, 1949; Carnegie Hall (live broadcast)
• Source: Private collection
Beethoven: Symphony No. 9 (last movement)
(e) Frances Yeend (S), Martha Lipton (A), David Lloyd (T), Mack Harrell (Bar); New York Philharmonic; Westminster Choir; John F. Williamson, Chorus Master
March 7, 1953; 30th Street Studio
• 45: A-1067 (5 7" discs)
• LP: Columbia ML 4696/97 (in SL-186); ML 5200; Philips ABL 3244; Columbia (UK) GBL 5620
• CD: CBS/Sony MPK 45552
Note: Issued with the first three movements from the recording of April 16, 1949.
Beethoven: Symphony No. 9
(f) Hilde Güden (S), Elisabeth Höngen (A), Erich Majkut (T), Gottlob Frick (B); Vienna Philharmonic, Chorus of the Vienna Staatsoper
November 13, 1955; Vienna Staatsoper (live performance)
• CD: Nuova Era 2249; Orfeo C 669 051 B
Beethoven: Symphony No. 9
(g) Emilia Cundari (S), Nell Rankin (A), Albert Da Costa (T), William Wilderman (Bar); Westminster Choir under Warren Martin; Columbia Symphony Orchestra
Movements 1, 2, and 3: January 19, 21, 26, 29, 31, 1959; American Legion Hall. Last Movement: April 6 & 15, 1959; Hotel St. George
• LP: Columbia M2L 264; Philips ABL 3351/2; Columbia (UK) BRG 72061/2; stereo: Columbia M2S 608; Philips SABL 169/70; Columbia (UK) 72061/2
• CD: CBS/Sony MK 42014; Sony SMK 64464
Beethoven: Symphony No.9 (rehearsal of Molto vivace only)
(h) Columbia Symphony Orchestra
January 26, 1959; American Legion Hall
• CD: Sony SMK 64465 (mono only)
________________________________________________________________________
BERLIOZ, HECTOR
Berlioz: Benvenuto Cellini Overture, Opus 23
Berlioz: Benvenuto Cellini Overture
(a) Berlin Staatskapelle
1924; Berlin (acoustic recording)
• 78: Polydor 66075/6a
Berlioz: Benvenuto Cellini Overture
(b) New York Philharmonic
May 6, 1945; Carnegie Hall (live broadcast)
• Souce: Private collection
________________________________________________________________________
Berlioz: Carnaval romain Overture, Opus 9
Berlin Philharmonic
August 28 & 30, 1923, or October 8–9, 1923; [Berlin] (acoustic recording)
• 78: Polydor 65929
________________________________________________________________________
Berlioz: Le Corsaire Overture, Opus 21
NBC Symphony Orchestra
April 1, 1939; Studio 8-H (live broadcast)
• CD: Music and Arts CD-273; AS Disc 414
________________________________________________________________________
Berlioz: La Damnation de Faust – March hongroise, Danse des Sylphes, Menuet des follets
Berlioz: Damnation of Faust, Excerpts
(a) NBC Symphony Orchestra
April 1, 1939; Studio 8-H (live broadcast)
• CD: AS Disc AS 414; Music and Arts CD-273
Berlioz: Damnation of Faust, Excerpts
(b) Los Angeles Philharmonic
May 21, 1950; Los Angeles
• CD: Nuova Era 2392; Eklipse EKR CD 1402
________________________________________________________________________ Berlioz: Danse des Sylphes (only)
Royal Philharmonic Orchestra
December 5, 1924; Columbia Petty France Studios, London (acoustic recording)
• 78: Columbia 67075-D(b); L 1623b
• CD: Iron Needle IN 1305; EMI (Japan) TOCE 8051-64
________________________________________________________________________
Berlioz: Symphonie fantastique, Opus 14
Berlioz: Symphonie fantastique
(a) NBC Symphony Orchestra
April 1, 1939; Studio 8-H (broadcast recording)
• CD: Arbiter 133; Serenade (Japan) SEDR-2005
Berlioz: Symphonie fantastique
(b) Orchestre de la Société des Concerts du Conservatoire de Paris
May 19 & 20, 1939; Paris
• 78: VM 662, Victor 12692/7; DB 3852/7; DB 8704/9 • LP: RCA Camden CAL 281; Rococo 2016 • CD: VAI Audio VAIA 1081; Iron Needle IN 1305; EMI (Japan) TOCE 8051-64; History 205243-303
Berlioz: Symphonie fantastique
(c) New York Philharmonic
February 21, 1954; Carnegie Hall (live broadcast)
• CD: Nuova Era 013.6302; Music & Arts CD-822; Cetra CDE 1006 ________________________________________________________________________
BIZET, GEORGES
Bizet: Carmen – Eight Fragments (sung in German; Mazaroff sings in Bulgarian)
Todor Mazaroff (José), Esther Réthy (Micaëla), Elsa Brems (Carmen), Anton Arnold (Dancaïro), Piero Pierotic (Morales), Georg Monthy (Zuniga), Dora Komarek on 12/22 & Olga Levko-Antosch on 12/27 (Mercédès), Margit Bokor on 12/22 & Dora Komarek on 12/27 (Frasquita); Orchestra and Chorus of the Vienna Staatsoper
December 22 & 27, 1937; Vienna Staatsoper (live performance)
• CD: Koch Schwann 3-1457-2
________________________________________________________________________
Bizet: Carmen, Preludes to Acts III and IV
Berlin Philharmonic Orchestra
August 28 & 30, 1923, or October 8–9, 1923; Berlin
• 78: Polydor 65954 & 69596b
• CD: Classic Press CPCD-2005 (Prelude to Act III only; included in the Japanese publication Classic Press, No. 12, Autumn 2002)
________________________________________________________________________
BLOCH, ERNEST
Bloch: Suite – Evocations
Bloch: Evocations
(a) New York Philharmonic
February 6, 1941; Carnegie Hall (live performance)
• Source: Private collection
Bloch: Evocations
(b) New York Philharmonic
February 8, 1941; Carnegie Hall (live performance)
• CD: AS Disc AS 421
________________________________________________________________________
BRAHMS, JOHANNES
Brahms: Akademische Festouvertüre (Academic Festival Overture), Opus 80
Brahms: Academic Festival Overture
(a) Vienna Philharmonic
October 18, 1937; Musikvereinssaal
• 78: Victor 12190; DB 3394
• LP: RCA Camden CAL 242 (pseudonymous orchestra, anonymous conductor); EMI (Japan) 2258
• CD: EMI (Japan) TOCE 7761-74
Brahms: Academic Festival Overture
(b) Hollywood Bowl Orchestra
July 10, 1947; Hollywood Bowl (live broadcast)
• Source: Private collection
Brahms: Academic Festival Overture
(c) New York Philharmonic
March 12, 1951; 30th Street Studio
• LP: Columbia ML 5126 & ML 5232; Philips DSL 200; Columbia (UK) GBL 5605, GBL 5614
• CD: CD BW-02 (in Michele Selvini, Bruno Walter: La porta dell’ eternità); United Archives UAR004.3
Brahms: Academic Festival Overture
(d) Columbia Symphony Orchestra
January 16, 1960; American Legion Hall
• LP: Columbia ML 5573, ML 5761, ML 5887; Philips ABL 3342; Columbia (UK) BRG 72089, BRG 72097, BRG 72371; Stereo: Columbia MS 6178, MS 6361, MS 6487; Philips SABL 182; Columbia (UK) SBRG 72097, SBRG 72371
• CD: CBS/Sony MK 42021; Sony SMK 64470
________________________________________________________________________
Brahms: Alt-Rhapsodie (Alto Rhapsody), Opus 53
Brahms: Alto Rhapsody
(a) Enid Szantho, Contralto; New York Philharmonic; Westminster Choir; John F. Williamson, Chorus Master
November 9, 1941; Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Alto Rhapsody
(b) Mildred Miller, Mezzo-Soprano; Columbia Symphony Orchestra; Occidental College Concert Choir; Howard Swan, Chorus Master
January 11, 1961; American Legion Hall
• LP: Columbia ML 5888; Columbia (UK) BRG 72142; Stereo: Columbia MS 6488; Columbia (UK) SBRG 72142
• CD: CBS/Sony MK 42025; Sony SMK 64469
________________________________________________________________________
Brahms: Concerto for Piano and Orchestra No. 1 in D minor, Opus 15
Brahms: Piano Concerto No. 1
(a) Vladimir Horowitz, Piano; Concertgebouw Orchestra
February 20, 1936 ; Grotezaal, Concertgebouw (live performance)
• LP: Bruno Walter Society BWS 728
• CD: AS Disc AS 400; Music & Arts CD-810; Legend LGD 105
Note: Several minutes of music are missing from the first movement on these recordings; the newest Music & Arts CD issue fills in this gap with the performance by Horowitz, Toscanini, and the New York Philharmonic from March 17, 1935.
Brahms: Piano Concerto No. 1
(b) Clifford Curzon, Piano; New York Philharmonic
March 18, 1951; Carnegie Hall (live broadcast)
• Source: Private collection
________________________________________________________________________
Brahms: Concerto for Piano and Orchestra No. 2 in B-flat major, Opus 83
Brahms: Piano Concerto No. 2
(a) Rudolf Serkin, Piano; New York Philharmonic
March 12, 1944; Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Piano Concerto No. 2
(b) Myra Hess, Piano; New York Philharmonic
February 11, 1951; Carnegie Hall (live broadcast)
• LP: New York Philharmonic Fundraiser Album 841/2
• CD: AS Disc AS 415; Nota Blu 93.5116 3/4; Music and Arts CD-779; Historical Performers HP 35; Istituto Discografico Italiano IDIS 6434
________________________________________________________________________
Brahms: Concerto for Violin and Orchestra in D major, Opus 77
Erica Morini; New York Philharmonic
December 20, 1953; Carnegie Hall
• CD: Nuova Era 2201; Nota Blu 93.5115 1/2
________________________________________________________________________
Brahms: Concerto for Violin, Cello, and Orchestra in A minor, Opus 102 (“Double”)
Brahms: “Double” Concerto
(a) John Corigliano, Violin; Leonard Rose, Cello; New York Philharmonic
February 2, 1951; Carnegie Hall (live broadcast)
• CD: Nuova Era 2226
Brahms: “Double” Concerto
(b) John Weicher, Violin; János Starker, Cello; Chicago Symphony Orchestra
January 5, 1954; Chicago (live broadcast)
• Source: Private collection
Brahms: “Double” Concerto
(c) Isaac Stern, Violin; Leonard Rose, Cello; New York Philharmonic
November 29, 1954; 30th Street Studio
• LP: Columbia ML 5076; Educational Media Associates EMA 105
• CD: Sony SM3K 45952; Sony (France) SMK 53098
Brahms: “Double” Concerto
(d) Zino Francescatti, Violin; Pierre Fournier, Cello; Columbia Symphony Orchestra
November 20, 1959; American Legion Hall
• LP: Columbia ML 5493; Stereo: Columbia MS 6158
• CD: CBS/Sony MK 42024; Sony SMK 64479
________________________________________________________________________
Brahms: Ein deutsches Requiem (German Requiem), Opus 45
Brahms: German Requiem
(a) Kerstin Lindberg-Torlind, Soprano; Joel Berglund, Tenor; Stockholm Philharmonic; Konsertföreningens för Musikaliska Sällskapet
September 14 or 15, 1950; Stockholm (live broadcast)
• Source: Private collection
Brahms: German Requiem (sung in English)
(b) Nadine Conner, Soprano; Mack Harrell, Baritone; Westminster Choir; John F. Williamson, Chorus Master; New York Philharmonic
March 16, 1952; Carnegie Hall
• LP: Bruno Walter Society BWS 204
Brahms: German Requiem (sung in Italian)
(c) Rosanna Carteri, Soprano; Boris Christoff, Bass; RAI Symphony Orchestra and Chorus; Nino Antonellini, Chorus Master
April 16, 1952; l’Auditorium di Torino della RAI
• LP: Cetra LAR 7
• CD: Cetra CDAR 2029; Stradivarius STV DTM 12323
Brahms: German Requiem
(d) Irmgard Seefried, Soprano; Dietrich Fischer-Dieskau, Baritone; Edinburgh Choral Union; Vienna Philharmonic
September 8, 1953; Edinburgh
• LP: Seven Seas (Japan) K 30Y 310
• CD: Wing (Japan) WCD 3-4
Brahms: German Requiem
(e) Irmgard Seefried, Soprano; George London, Bass-Baritone; Westminster Choir; John F. Williamson, Chorus Master; New York Philharmonic
December 20, 28, and 29, 1954; Carnegie Hall
• LP: Odyssey Y 31015 (first released at the end of 1971 or 1972)
• CD: CBS/Sony MPK 45687; SMK 64469
________________________________________________________________________
Brahms: Hungarian Dances, Nos. 1, 3, 10, 17
New York Philharmonic
February 12, 1951; 30th Street Studio
• 45: Columbia A-1577 (Nos. 1, 10, and 17 only)
• LP: Columbia ML 5126; Columbia DSL 200
• CD: Sony SMK 64467; United Archives UAR004.3
________________________________________________________________________
Brahms: Lieder
Brahms: Lied – “Wiegenlied”
(a) Lotte Lehmann, Soprano; Bruno Walter, Piano
[Date and venue uncertain; ca. 1950] (live performance)
• CD: Eklipse EKR 47
Brahms: Lieder – “Immer leiser wird mein Schlummer,” “Der Tod, das ist die kühle Nacht,” “Botschaft,” “Von ewiger Liebe”
(b) Kathleen Ferrier, Contralto; Bruno Walter, Piano
September 7, 1949; Edinburgh
• LP: Decca 6BB 197-8; Decca AKF 1-7
• CD: London 433 476-2
________________________________________________________________________
Brahms: Schicksalslied (Song of Destiny), Opus 54
Brahms: Song of Destiny (sung in English)
(a) Westminster Choir; New York Philharmonic; John F. Williamson, Chorus Master
December 15, 1941; New York City
• 78: Columbia X 223
• LP: Columbia SL 156
Brahms: Song of Destiny (sung in English)
(b) Hollywood Bowl Orchestra and Chorus; Hugo Strelitzer, Chorus Master
July 10, 1947; Hollywood Bowl
• CD: AS Disc AS 415; Eklipse (Japan) T-5
Brahms: Song of Destiny (sung in Italian)
(c) RAI Chorus and Orchestra
April 16, 1952; l’Auditorium di Torino della RAI (live performance)
• LP: Fonit Cetra LAR 7
Brahms: Song of Destiny
(d) Occidental College Concert Choir; Columbia Symphony Orchestra; Howard Swan, Chorus Master
December 5, 1960; American Legion Hall
• LP: Columbia ML 5574; Philips ABL 3343; Columbia (UK) BRG 72090; Stereo: Columbia MS 6488
• CD: CBS/Sony MK 42025; Sony SMK 64472
________________________________________________________________________
Brahms: Symphonies (Complete)
Brahms: Four Symphonies
(a) New York Philharmonic
1951–1953; New York
• LP: Columbia DSL-200; Odyssey 32360007
• CD: Sony (UK) 517187 2; United Archives UAR004.3
Brahms: Four Symphonies
(b) Columbia Symphony Orchestra
1959–1960; American Legion Hall
• LP: M4L 252; Stereo: M4S 615
• CD: CBS/Sony MK 42020–42023; Sony SMK 64470–64472
________________________________________________________________________
Brahms: Symphony No. 1 in C minor, Opus 68
Brahms: Symphony No. 1
(a) Vienna Philharmonic
May 3 & 4, 1937; [Musikvereinssaal]
• 78: RCA Victor M 470 (12264/8); GM 288 (DB 3277/81)
• CD: Preiser 90114; Avid Records AMSC 603; EMI (Japan) TOCE 7761-74; History 205244-303
Brahms: Symphony No. 1
(b) NBC Symphony Orchestra
March 18, 1939; Studio 8-H (live broadcast)
• CD: Serenade (Japan) SEDR-2006
Brahms: Symphony No. 1
(c) New York Philharmonic
November 7, 1943, Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Symphony No. 1
(d) Hollywood Bowl Orchestra
July 10, 1947; Hollywood Bowl (live broadcast)
• Source: Private collection
Brahms: Symphony No. 1
(e) New York Philharmonic
December 30, 1953; 30th Street Studio
• LP: Columbia ML 5124; Columbia DSL-200; Philips ABR 4037 (102); Columbia (UK) GBL 5603
• CD: Sony (Japan) SRCR 8682; Sony (France) 5081722; Sony (UK) 517187 2; United Archives UAR004.3
Brahms: Symphony No. 1
(f) Columbia Symphony Orchestra
November 25, 1959; American Legion Hall
• LP: Columbia ML 5789; Columbia (UK) BRG 72088; Stereo: Columbia MS 6389; Columbia (UK) SBRG 72088
• CD: CBS/Sony MBK 44827; Sony SMK 64470
________________________________________________________________________
Brahms: Symphony No. 2 in D major, Opus 73
Brahms: Symphony No. 2
(a) NBC Symphony Orchestra
February 17, 1940; Studio 8-H (live broadcast)
• Source: Eklipse (Japan) T-5; Serenade (Japan) SEDR-2007
Brahms: Symphony No. 2
(b) Philadelphia Orchestra
February 12, 1944; Academy of Music (live performance)
• Source: Wing WCD 49
Brahms: Symphony No. 2
(c) Berlin Philharmonic
September 24 or 25, 1950; Titania Palast (live performance)
• CD: AS Disc AS 309; Legend LGD 148
Brahms: Symphony No. 2
(d) New York Philharmonic
February 2, 1951; Carnegie Hall
• CD: Nuova Era 2226
Brahms: Symphony No. 2
(e) New York Philharmonic
December 28, 1953; 30th Street Studio
• LP: Columbia ML 5125; Columbia DSL 200; Philips ABL 3095; Columbia (UK) GBL 5604
• CD: Sony (Japan) SRCR 8683; EMI CZS5751332; Theorema TH 121213; Sony (France) 5081722; Sony (UK) 517187 2; United Archives UAR004.3
Brahms: Symphony No. 2 (first movement rehearsal only)
(f) New York Philharmonic
December 28, 1953; 30th Street Studio
• LP: Columbia 32786 (10")
Brahms: Symphony No. 2
(g) Orchestre National de la R. T. F.
May 5, 1955; Théâtre des Champs-Élysées
• LP: Educational Media Associates EMA 105
• CD: Disques Montaigne TCE 8831; Tahra TAH 587-589
Brahms: Symphony No. 2
(h) Columbia Symphony Orchestra
January 11 & 14, 1960; American Legion Hall
• LP: Columbia ML 5573; Philips ABL 3342; Columbia (UK) BRG 72089; Stereo: Columbia MS 6173; Philips SABL 183; Columbia (UK) SBRG 72089
• CD: CBS/Sony MK 42021; SMK 64471
________________________________________________________________________
Brahms: Symphony No. 3 in F major, Opus 90
Brahms: Symphony No. 3
(a) Vienna Philharmonic
May 18 & 19, 1936; Musikvereinssaal
• 78: Victor 341 (12022/5); GM 263 (DB 2933/6)
• CD: Koch 3-7120-2 H1; EMI (Japan) TOCE 7761-74; andante 1973
Brahms: Symphony No. 3
(b) New York Philharmonic
January 28, 1951; Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Symphony No. 3
(c) New York Philharmonic
December 21 & 23, 1953; 30th Street Studio
• LP: Columbia ML 5126; Columbia DSL 200; Philips ABR 4031; Columbia (UK) BRG 5605
• CD: Sony (Japan) SRCR 8682; Sony (France) 5081732; Sony (UK) 517187 2; United Archives UAR004.3
Brahms: Symphony No. 3 (first movement rehearsal only)
(d) New York Philharmonic
December 21, 1953; 30th Street Studio
• LP: Columbia 32786 (10")
Brahms: Symphony No. 3
(e) Chicago Symphony Orchestra
February 1, 1956; WGN-TV Studios, Chicago (live telecast)
• Source: Rosenthal Archives
Brahms: Symphony No. 3
(f) Columbia Symphony Orchestra
January 27 & 30, 1960; American Legion Hall
• LP: Columbia ML 5574; Philips ABR 3343; Columbia (UK) BRG 72090; Stereo: Columbia MS 6174; Philips SABL 183; Columbia (UK) SBRG 72090
• CD: CBS/Sony MK 42022; Sony SMK 64471
________________________________________________________________________
Brahms: Symphony No. 4 in E minor, Opus 98
Brahms: Symphony No. 4
(a) BBC Symphony Orchestra
May 21, 1934; Abbey Road Studio No. 1
• 78: Victor 242 (11734/8); GM 218 (DB 2253/7)
• CD: Koch 3-7120-2 H1; EMI (Japan) TOCE 8051-64
Brahms: Symphony No. 4
(b) New York Philharmonic
November 1, 1942; Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Symphony No. 4
(c) New York Philharmonic
May 6, 1945; Carnegie Hall (live broadcast)
• Source: Private collection
Brahms: Symphony No. 4
(d) New York Philharmonic
February 11, 1951; Carnegie Hall (live broadcast)
• CD: Nuova Era 2303; Music & Arts CD 1090(2)
Brahms: Symphony No. 4
(e) New York Philharmonic
February 21, 1951; 30th Street Studio
• LP: Columbia ML 5127; Columbia DSL 200; Philips ABL 3008; Columbia (UK) GBL 5606
• CD: Sony (Japan) SRCR 8684; Sony (France) 5081732; Sony (UK) 517187 2; United Archives UAR004.3
Brahms: Symphony No. 4
(f) Columbia Symphony Orchestra
February 2, 4, 6, 12 & 14, 1959; American Legion Hall
• LP: Columbia ML 5439; Columbia (UK) BRG 72091; Stereo: Columbia MS 6113; Columbia (UK) SBRG 72091
• CD: CBS/Sony MBK 44776; Sony SMK 64471
• SACD: Sony SS 06113
________________________________________________________________________
Brahms: Tragische Ouvertüre (Tragic Overture), Op. 81
Brahms: Tragic Overture
(a) Philadelphia Orchestra
February 12, 1944; Academy of Music, Philadelphia (live broadcast)
• CD: Wing (Japan) WCD 49
Brahms: Tragic Overture
(b) New York Philharmonic
February 18 & 23, 1953; 30th Street Studio
• LP: Columbia ML 5076 & ML 5232; Columbia DSL 200; Columbia (UK) GBL 5614
• CD: Sony (Japan) SRCR 8684; United Archives UAR004.3
Brahms: Tragic Overture
(c) Vienna Philharmonic
September 8, 1953; Edinburgh (live broadcast)
• CD: Wing (Japan) WCD 3-4
Brahms: Tragic Overture
(d) Columbia Symphony Orchestra
January 16 or 23, 1960; American Legion Hall
• LP: Columbia ML 5493; Philips ABL 3343; Columbia (UK) BRG 72090 & BRG 72371; Stereo: Columbia MS 6173; Philips SABL 183; Columbia (UK) SBRG 72090 & SBRG 72371
• CD: CBS/Sony MK 42023; Sony SMK 64472
________________________________________________________________________
Brahms: Variations on a Theme of Haydn, Opus 56a
Brahms: Haydn Variations
(a) Los Angeles Philharmonic
July 19, 1947; Hollywood Bowl (live broadcast)
• CD: Eklipse (Japan) T-5
Brahms: Haydn Variations
(b) New York Philharmonic
February 18 & 19, 1953; 30th Street Studio
• LP: Columbia ML 5076; Columbia DSL 200; Columbia (UK) BRG 3095
• CD: Sony (Japan) SRCR 8683; Sony MHK 63328; United Archives UAR004.3
Brahms: Haydn Variations
(c) Columbia Symphony Orchestra
January 8, 1960; American Legion Hall
• LP: Columbia ML 5493 & ML 5574; Philips ABL 3345; Columbia (UK) BRG 72087 & BRG 72371; Stereo: Columbia MS 6158 & MS 6174; Philips SABL 185; Columbia (UK) SBRG 72087 & SBRG 72371
• CD: CBS/Sony MK 42022; Sony SMK 64470
________________________________________________________________________
BRUCKNER, ANTON
Bruckner: Symphony No. 4 in E-flat major, “Romantic”
Bruckner: Symphony No. 4 (ed. Schalk and Löwe)
(a) NBC Symphony Orchestra
February 10, 1940; Studio 8-H (live broadcast)
• CD: Pearl GEMM 9131; History 205245-303
Bruckner: Symphony No. 4 (ed. Haas)
(b) Columbia Symphony Orchestra
February 13, 15, 17, 25, 1960; American Legion Hall
• LP: Columbia M2L 273; Columbia (UK) BRG 72011/2; D4L 342; Stereo: Columbia M2S 622; Columbia (UK) SBRG 72011/2; D4S 742; CBS 61137
• CD: CBS/Sony MK 42035 & MBK 44825; Sony SMK 64481; Sony SX13K 92460
________________________________________________________________________
Bruckner: Symphony No. 7 in E major
Bruckner: Symphony No. 7
(a) New York Philharmonic
December 23, 1954; Carnegie Hall (live performance)
• CD: Testament SBT 1424
Bruckner: Symphony No. 7
(b) Columbia Symphony Orchestra
March 11, 13, 19, 22, 27, 1961; American Legion Hall
• LP: Columbia M2L 290; D4L 342; Columbia (UK) BRG 72139/40; Stereo: Columbia M2S 690; D4S 742; Columbia (UK) SBRG 72139/40; CBS 61128/9
• CD: CBS/Sony MB2K 45669; Sony SMK 64482; Sony SX13K 92460
________________________________________________________________________
Bruckner: Symphony No. 8 in C minor (probably ed. Joseph Schalk)
New York Philharmonic
January 26, 1941; Carnegie Hall
• LP: Bruno Walter Society 808
• CD: AS Disc AS 427; Music & Arts CD-1106
________________________________________________________________________
Bruckner: Symphony No. 9 in D minor
Bruckner: Symphony No. 9
(a) New York Philharmonic
March 17, 1946; Carnegie Hall (live broadcast)
• CD: Music and Arts CD-1110
Bruckner: Symphony No. 9
(b) Philadelphia Orchestra
February 28, 1948; [Academy of Music] (live broadcast)
• Source: Private collection – Unverified
Bruckner: Symphony No. 9
(c) Vienna Philharmonic
August 20, 1953; Salzburg
• LP: Movimento Musica
• CD: Sterling Orchestral SOCD 1053
Bruckner: Symphony No. 9
(d) New York Philharmonic
December 27, 1953; Carnegie Hall
• CD: Nuova Era 2225; Palladio PD 1209
Note: A recording of Bruckner’s 9th with the New York Philharmonic has circulated bearing the date February 12, 1950, but Walter conducted different works for that broadcast. The performance in question may be that of December 27, 1953.
Bruckner: Symphony No. 9
(e) New York Philharmonic
February 10, 1957; Carnegie Hall (live broadcast)
• Source: Private collection
Bruckner: Symphony No. 9 (ed. Nowak)
(f) Los Angeles Philharmonic
November 12 or 13, 1959; Los Angeles (live performance)
• Source: Private collection
Bruckner: Symphony No. 9 (ed. Nowak)
(g) Columbia Symphony Orchestra (probably the Los Angeles Philharmonic)
November 16 & 18, 1959; American Legion Hall
• LP: Columbia ML 5571; D4L 342; Philips ABL 3339; Columbia (UK) BRG 72095; Stereo: Columbia MS 690; D4S 742; Columbia (UK) SBRG 72139/40; CBS 61128/9
• CD: CBS/Sony MBK 44825; Sony SMK 64483; Sony SX13K 92460
________________________________________________________________________
Bruckner: Te Deum
Bruckner: Te Deum
(a) Elisabeth Schumann (S), Kerstin Thorborg (MS), Anton Dermota (T), Alexander Kipnis (B); Vienna Philharmonic and Chorus of the Vienna Staatsoper
June 29, 1937; Théâtre des Champs-Élysées (live performance)
• CD: EMI (Japan) BCD-24; EMI (Japan) TOCE 9099
Bruckner: Te Deum
(b) Frances Yeend (S), Martha Lipton (MS), David Lloyd (T), Mack Harrell (B); Westminster Choir; New York Philharmonic; John F. Williamson, Chorus Master
March 7, 1953; Carnegie Hall
• LP: ML 4980; GBL 5629; BRG 72317;Educational Media Associates EMA 105
• CD: Sony SMK 64480; Sony SX13K 92460
Bruckner: Te Deum
(c) Hilde Güden (S), Hilde Zadek (MS), Erich Majkut (T), Gottlob Frick (B); Vienna Philharmonic and Chorus of the Vienna Staatsoper
November 13, 1955; Vienna Staatsoper (live performance)
• CD: Nuova Era 2303; Palladio PD 1209
________________________________________________________________________
BUSONI, FERRUCCIO
Busoni: Concerto for Violin
Adolf Busch, Violin; Concertgebouw Orchestra
March 12, 1936; [Grotezaal, Concertgebouw] (live performance)
• LP: Rococo 2023; Bruno Walter Society IGI-335
• CD: Music & Arts CD 861; Istituto Discografico Italiano IDIS 334; Q Disc 97017 (13-CD set)
________________________________________________________________________
CHERUBINI, LUIGI
Cherubini: Les Deux Journées, ou Le Porteur d’eau (Der Wasserträger) – Overture
Berlin Staatskapelle
ca. March 1925; [Berlin]
• 78: Polydor 66073
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CHOPIN, FRÉDÉRIC
Chopin: Concerto for Piano No. 1 in C minor
Arthur Rubinstein, Piano; New York Philharmonic
February 9, 1947; Carnegie Hall
• LP: Bruno Walter Society BWS 740
• CD: New York Philharmonic Special Editions NYP 9701; AS Disc AS 411
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Chopin: Nocturne No. 2 in E-flat major, Opus 9, No. 2
Bruno Walter, Piano
July 2, 1952; Bruno Walter’s home, Beverly Hills (live performance)
• LP: Bruno Walter Society BWS 807
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Chopin: Waltz No. 7 in C-sharp minor, Opus 64, No. 2
Bruno Walter, Piano
July 2, 1952; Bruno Walter’s home, Beverly Hills (live performance)
• LP: Bruno Walter Society BWS 807
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