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Adrian Aeschbacher所演奏的舒曼大卫同盟舞曲（应该是Op6)，瑞士钢琴家，曾于柏林师从施纳贝尔，最为中国乐迷熟知的可能是与福特文格勒的钢协。不过个人觉得，他的特点在协奏曲中似乎并不能反映出来。

大卫同盟舞曲尽管是op6,但实际作曲时间却要稍晚。或许是因为更多的阴郁与幻想，同作舒曼留下的组曲，它的演绎远没有童年情景和狂欢节那么多。季塞金，科尔托，肯佩夫，阿劳，安达等都留下色彩浓重的录音。

相比肯佩夫线条的古朴苍劲与科尔托音色的摇曳生姿，Aeschbacher更像是炉火边的谈话，回忆与沉思。

转一个有同感的帖子：Henry, I totally concur with Werner on the Davidsbündlertänze with Adrian Aeschbacher. When I first heard the recording, I was overwhelmed with the pianistic sensitivity and emotion of the pianist with contrasts to Eusebius and Florestan. That performance, originally released on DGG is available now on KASP Records [57671]. Their address is KASP Records, 101 Station Road, Irvington, NY 10533-2137. This is pianist Donald Isler's label. He felt so strongly about Aeschbacher's playing that he received approval from DGG to reissue the recordings, which have been remastered by Joseph Patrych in the Bronx. (I believe you met both of these fine gentlemen at the CMG meet-up.) On the same disc are the Three Romances of Schumann and Schubert's Moments musicaux, all performed by Aeschbacher, who often performed with Furtwängler, Böhm, etc. Aeschbacher offers enormous listening and thought-provoking pleasures in this music.

补一张Adrian Aeschbacher肖像

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Sheep May Safely Graze 由布索尼的弟子Egon Petri所改编，Antole Kitain在一种叫做Siena Pianoforte的乐器上演奏。







他不仅与同门Barere，Alexander Brailowsky，霍洛维兹一样是钢琴技巧的大师，在乐句中更随处可见独具匠心却自然的处理。

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接下来上两首小品，分别来自于arepege played by Carlo Zecchi
斯卡莱蒂 sonata k 533 played by Casadesus,

轻灵敏捷的触键有若云雀鸣叫。

Carlo Zecchi


Casadesus

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Rosenthal on Chopin