这是我不太喜欢，但出于形式和意义又不舍得扔掉的唱片之一
Roseknight_gao 发表于 2012-9-18 09:08

突破心理等于突破自我。
买唱片总有一天会遇到这个问题的。。。

回复 shinelb 的帖子

Historical Gems: Shostakovich First Concertos for Violin and Cello

Review by: David Hurwitz

Shostakovich had the great good fortune to write for Russia’s finest soloists, who also happened to be the among world’s best. David Oistrakh remade the First Violin Concerto with the composer’s son on the podium (EMI), but he never bettered this singularly intense performance from 1956, captured in excellent mono sound. Mitropoulos had a particular gift for contemporary music, especially of the nervous and twitchy sort, and that describes the Shostakovich to a tee, at least in the quick movements. That said, the pungent spikiness of the scherzo and finale (first sound sample), yield to this noble but always propulsive account of the great third movement passacaglia, followed immediately by Oistrakh’s alternately probing and brilliant cadenza.

The same qualities of idiomatic musical ownership describe Rostropovich’s first official recording of the First Cello Concerto, which was supervised by the composer in Philadelphia right after the work’s U.S. premiere. One of the more striking aspects of this performance is the moderate tempo of the opening movement. It makes us realize just how dependent on the actual sound of the cello the music really is, and how much confidence Shostakovich placed in Rostropovich, who pours out the tone unstintingly and quite literally sustains the entire movement. The expressive power he brings the second subject (second sound sample) is unforgettable, but he follows it up with a gorgeous account of the slow movement and a cadenza and finale that remain points of reference for all future performances. Ormandy and the Philadelphia provide accompaniments that amazed the composer, as they should us as well.

The Cello Concerto dates from 1959, and features stereo sonics that have held up very well. It might seem strange to consider these performances “historical,” in the sense that they are not transfers from grotty old 78s or live air checks of dubious provenance, but they are more than half a century old, and if that’s not historical then what is? They are also reference recordings for both concertos, even with so many fine modern versions available (Mullova in the Violin Concerto, Schiff in the two cello concertos, both on Philips)

上几张该CD的照片吧

老肖的小协和第一大协分别为大卫和老罗写的，本CD是56年大卫和59年老罗在美国首演后第二天的录音室录音，非常权威，至今还是该两首曲子的参考级录音。其中小协是非常优秀的单声道录音，大协是早期立体声录音，由CBS录音的。现在的转录很认真，声音模拟味足。特别要提的是小册子做的太棒了，许多珍贵的文字和照片，让人如获至宝。

我喜欢这个版本的《肖斯塔科维奇——大提琴协奏曲》，Philips的录音一流，希夫演得也很好。指挥也是老肖的儿子

我喜欢这个版本的《肖斯塔科维奇——大提琴协奏曲》，Philips的录音一流，希夫演得也很好。指挥也是老肖的儿 ...
167 发表于 2012-9-19 09:56

这张碟我收了双份，一张正价一张斜头

这张碟我收了双份，一张正价一张斜头
Roseknight_gao 发表于 2012-9-19 11:42

有没有比较过音质啊？我比较关心这个。

有没有比较过音质啊？我比较关心这个。
shinelb 发表于 2012-9-19 12:28

一般来说，斜头版的音色稍欠通透，PHILIPS的部分录音如果拿斜头系列和DUO系列做比较，会感觉DUO系列更加原汁原味。
当然正价系列最典范。
这是不同系列之间的差别~但体会也是个人化的。

肖斯塔科维奇——大提琴协奏曲最佳版本罗斯卓波维奇，兄弟们认同吗？

肖斯塔科维奇——大提琴协奏曲最佳版本罗斯卓波维奇，兄弟们认同吗？
nmggw 发表于 2012-9-19 14:57

老罗的我没听过，我觉得媳妇要好，就是167兄贴的那张。

准备收这俩，做个对比

准备收这俩，做个对比
nmggw 发表于 2012-9-19 15:07

罗斯特罗波维奇还有一版肖大协（第一大协）配置更加抢眼一点，指挥是罗日杰斯特文斯基，乐团是俄罗斯广播还是列宁格勒爱乐有点记不清了，列宁格勒爱乐的可能性更大一点；BBC出的，录音不是最好，但至少也是立体声录音。

搭配的应该是罗日杰斯特文斯基指挥的老柴第四交响曲，这张碟性价比蛮高的。