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钢琴家的手,javascript:;

1#
发表于 2015-8-4 11:03:38 | 只看该作者 | 倒序看帖 | 打印 | 使用道具
本帖最后由 Jwang 于 2015-8-4 11:07 编辑

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2#
发表于 2015-8-4 12:34:22 | 只看该作者
有趣。。。。。。

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3#
发表于 2015-8-4 14:29:46 | 只看该作者
有意思      。

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4#
发表于 2015-8-4 18:12:25 | 只看该作者
看来也就拉赫至少是个人的双手。。。

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5#
发表于 2015-8-4 21:24:27 | 只看该作者
转载 https://www.reddit.com/r/classic ... sers_final_version/

Explanation:

Chopin: mixer because he reminds me of one sometimes. Example.
Scriabin: He has written a lot of pieces for the left hand alone and he injured the right hand.
Rachmaninoff: He had really big hands. Really big.
Liszt: he sometimes reaches notes at the other side of the piano.
Ravel: he has delicate, water hands and very often the left and right hand play on top of each other.
Beethoven: he is powerful and this is also a reference to the hammerklavier
Satie: his touch is very gentle and it sounds like he is playing with gloves.
Boulez: Just to give you an idea.
Cage: the 'no hands' is a joke for 4'33'' and the objects on the keyboard are a reference to his prepared pianos.
Feldman: most of his compositions use just a few notes.
Mozart: Rolling pins because of all the scales.
Schubert: A lot of his pieces have very articulated right hand passages that go back and forth like a wheel and really easy left hand ones.
Bach: robot hands because he was so structured and calculating in his pieces. (Side note: amazing book)
Debussy: really soft touch, just like feathers.
Glass: Pendulum and metronome because of his style that led him to be very technical, a bit like Bach, but it's more complicated than that.
Bartok: drum beaters because of the power of some of his compositions.

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6#
发表于 2015-8-5 09:15:58 | 只看该作者
这个怎么跟我看到的有些出入呢?比如拉赫,这里的图示很显然没能传递拉赫那双著名大手的神韵!?

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