Guarneri Homage PKGuarneri Memento 的帖子可以看看这个帖子，从各个方面论述了两款小明琴的个性。帖子也一再提到，PK中的Guarneri Homage 毕竟使用时间长了，有点老化。如果是全新的，Guarneri Homage 还是第一选择。

http://forum.audiogon.com/cgi-bin/fr.pl?cspkr&1262216844

针对于ACCORDO 声音的评价（外观因素排除），在高传真杂志2012年5月1日的出版文章中有如下的论述：
To properly evaluate them and adapt them to our needs first we need to clearly say what the Accordos are NOT. They are not a successor to the Guarnieri Homage, or even the Electa Amator. Each older Franco’s speaker, in my opinion, sounds better; in various aspects, but still better.
评论者也对ACCORDO的搭配和使用做了介绍
Franco Serblin’s speakers are NOT designed for large rooms, and even less so for low-powered amplifiers. If you need to pair them with a tube amp, it needs to be something like the Reference 150 or 210 from Audio Research. But they will perform better with a powerful solid-state amplifier, preferably slightly warm, like the ASR Emitter II, or the Burmester 082. The speakers will not play a more powerful symphony or even a large choir – they are small, they lack low bass and do not create large virtual sources.
Make up for it a very clean sound, very clean, consistent and above-average diameter of the soundstage. In small areas, with matching amplifier will create a heart touching spectacle. Although it is not my "story", I appreciate what Mr. Serblin achieved with them.


对以上的搭配介绍，Franco Serblin本人基本同意以上观点，有ACCORDO朋友的可以参考：

Let me clarify some issues related to amplification for the Accordo. These speakers have been designed to be as transparent and dynamic as possible. In order to successfully achieve this objective I have used a unique woofer with a long-stroke diaphragm and low resistance in bass-reflex application, designed to offer the best impulse response. Although the Accordo can be driven by any amplifier, we recommend driving them with amplifiers with low output impedance and middle power output (40/70 W into 8 Ω and 80/150 W into 4 Ω). Too much power may result in too long woofer cone travel and consequently deterioration of signal quality.
If we use the Accordo with a tube amplifier or a solid-state MOSFET with high output impedance we may end up with not fully optimal bass control, and this may lead to uncontrolled cone travel. Needless to say that tube amps are generally not too good in this respect.
I use the Einstein integrated amplifier, nice sounding, but with not such good bass as tube amps.

Sincerely,
Franco Serblin

不懂英国老鼠，只好用谷歌翻译，略知了大概。上文提及的是新老小名琴，没说到阿卡多。

看样子我还得换阿卡多，大家评评吧！
wjh516888 发表于 2012-12-11 12:21

你如果喜欢色一点，听任何小提琴都小名琴的味道，那小名琴好了，老款新款皆可。如果需要不同小提琴之间的差别表达得更清楚，那Accordo无疑更适合一些。个人取向不同会导致选择不同，无可厚非。就我个人而言，我哪一款都不买账，无论世霸还是老爷子的自主品牌都不是我的菜。

我5月份在广州呆了8天，听阿卡多3次，累计有6个多小时，主要是选8550（推得是阿卡多），记忆中：与新款小名琴比，阿卡多比较淡，没有那么浓郁，器乐间比较协和，平衡，比新款要自然点，较耐听，比较好搭配，线条没有新款那么细、精致，两头延伸、音场、解析力并不比新款好，新款的推不好较爆，脾气较大，感觉比阿卡多难推，但觉得潜力大很多，单音的质量、密度要好过阿卡多，属好听那种（讨好耳朵），比较张扬，听交响要好些。同时也听到阿卡多与老款小名琴的同场比较，反到觉得新、老款小名琴音色较接近，老款的比新款要柔些。也听到履带高音小名琴，他的音色各方面与阿卡多接近，但音场各方面要好过阿卡多。请大家拍拍砖，请wdf9808师谈谈。谢谢。

无论世霸还是老爷子的自主品牌都不是我的菜

支持念经兄观点!俺喜欢西湖/丹拿/宝华/威信....发出的小提琴音色,可以表达不同琴音的细微差别.

回复 wjh516888 的帖子


    如果考虑到音乐的完整性,什么款的小名琴都不合适.

系统平衡了，小名琴就是好听！享受中。。。。。。

MJL988 师，您说得是哪款小名琴，如何搭配的。

楼主客气了！我的是尖鼻子小名琴，功放是MBL,音源是马兰士，电源线是蛇王，信号线是AQ,喇叭线是分析家，拉专线，空间处理，不断调整中......

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请问这几款箱听下来那款印象最好（第一印象）？我也在纠结着几款，口碑是老名琴最佳，但我听下来新名琴（尖鼻子）是更合胃口，    Accordo还没听过...

回复 小情人 的帖子情人兄，这个问题可真的难倒我了，因为判断这真是受其他各种因素的影响太强了。最近我有两位结伴朋友到广州听到阿卡多，一致认为阿卡多好，但同时拥有这两款箱子的wdf9808兄则认为尖鼻子的好，不主张我换。我认为买这种东西不能靠印象，因为经常出现第一次听和第二次或多次听，结论不一样。不过尖鼻子比较难调好，对功放要求较高。






9第一印象


   

回复 wjh516888 的帖子

哈哈，确实难为你了，其实我是想问你这几款中相对来说那款能一下捉住你的心。阿卡多是得找个时间好好听一下。