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本帖最后由 广陵散 于 2010-7-5 18:37 编辑
录音:
唱片最早由MPS公司录音,我手头上是phillips 小双张CD版,感觉上声音很近,使得原本清晰的琴声更为亲近、透明。这在爱乐者中褒贬不一,但在gulda完全出于其音乐理念,在phillips 唱片中没有此类录音信息,而在DG发行的gulda Mozart tapes中有一段叙述,可作参考:
Unlike Glenn Gould, Gulda preferred to play through the works in their entirety when recording them. He banked on the natural momentum of the performance and subsequently made relatively few edits and corrections. The microphone were placed close to the instrument. Gulda preferred a sense of immediacy with little sense of the ambient space. In this way the sound became direct and almost dry but allowed a greater range of dynamics. In short, the recordings reveal an intimate atmosphere, giving the impression that Gulda is not addressing an audience but playing these Mozart Sonatas for himself alone.
和Glenn Gould不同,Gulda 在录音时喜欢一次性演奏整个作品。他注重演奏的自然效果而相对很少作后期的修改和更正。麦克风在录音时放在离钢琴很近的地方,古尔达喜欢这种直接的感觉而很少考虑空间感。因此他的录音的特点是声音显得直接甚至干涩,但却表现出更大的动态范围。总之,他的录音营造出一种亲密的气氛,给人的感觉是古尔达不是在为听众演奏这些奏鸣曲,而是给他自己。
除了干涩,动态范围和平均律录音不符合外,其它都可作参考,可以看出古追求的是一种自然、直接、亲近的声音。 |
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