蒙恩  1首

蒙恩，奥地利管风琴家、作曲家，早期维也纳乐派代表人物，作有交响曲、协奏曲和室内乐等。王健拉的这首是G小调，还有1首D大调，是勋伯格由羽管键琴协奏曲改编而来的。


另外，王健这张巴洛克专辑还有库普兰的《皇家合奏曲》。

这首所谓库普兰为大提琴所作的，并非真正的大提琴重奏曲，而是一位法国大提琴家根据库普兰的皇家合奏曲中的5段音乐改编而成。此后，该改编曲成为巴洛克时期最重要的大提琴作品之一。

卡萨尔斯把它作为自己最珍爱的保留曲目，1961年造访白宫时，就演奏了这部作品。

加斯  6首

加斯，英国作曲家。曾经是教堂的管风琴师，同时也演奏大提琴，他为自己的音乐会写了6首大提琴协奏曲，最有名的作品是赞美诗。这些大协虽然创作于巴洛克向古典转型时期，但相对保守的英国人还没有完全采用奏鸣曲式，而是用了简单的二部曲式(第1乐章)。

加斯简介：
https://en.wikipedia.org/wiki/John_Garth_(composer)

下面这张HYPERION收有加斯的第2大协，降B大调。

格拉夫  2首

阿贝尔  1首

同为1723年生人的2位作曲家，大协的风格相差较大。

格拉夫简介：
https://en.wikipedia.org/wiki/Christian_Ernst_Graf

阿贝尔简介：
https://en.wikipedia.org/wiki/Carl_Friedrich_Abel

metamophore  发表于 昨天 22:05

最熟悉的是杜普蕾的版本。

-----------------------------------------

蒙恩的慢乐章不错，杜普雷拉得情真意切。  

阿温丹纽  6首

阿温丹纽的资料，遍寻不着，约1800年去世。

这2张CD，收有他的4首大提琴奏鸣曲和2首2把大提琴二重奏。

海顿　2首

海顿的2首大协曲调流畅，结构明晰，录音很多。

海顿第1大协的慢乐章，俺爱听几个女士的，再来俩美女：

帕克斯顿  5首

帕克斯顿既是著名的大提琴家，也是作曲家。这张CD，收录了他的4首奏鸣曲+1首协奏曲。

帕克斯顿简介：
https://en.wikipedia.org/wiki/Stephen_Paxton


It is sometimes hard to believe that, in this day and age, discoveries of new works and even forgotten composers continue to be made. This album on the Cello Classics label proves that there are still works out there yet to be found, and that some of them are well worth discovery. Cellist Sebastian Comberti, along with the unlikely assistance of novelist Imogen Robertson, has unearthed four sonatas and a concerto by eighteenth century composer and cellist Stephen Paxton. While Paxton was a well-respected musician during his time, his overall impact was rather negligible and so much of his work and even his name has been long since forgotten. These sonatas, however, are real gems for cellists. They are not profoundly difficult, technical works that seek to demonstrate Paxton's own prowess on the instrument; rather, they are charming examples of the popular sonata form in London at the time. Realized here with a second cello and harpsichord, Comberti breathes new life into these forgotten works with stunning elegance and refinement in his playing, a warm sensitivity in the slow movements, and a graceful, joyous vivaciousness in the outer movements. The album ends with the premiere recording of the Concerto in G. Comberti is joined by the Pantheon Band; here, however, the accompaniment is far from the refinement and precision heard in the sonatas. The Pantheon Band has difficulties with intonation throughout and balance is not always ideal, making this part of the album sound extremely amateurish. Still, listeners will relish in the quality of the new repertoire and the brilliant performance of the four sonatas.

以上转自：
http://www.allmusic.com/album/stephen-paxton-4-sonatas-and-a-concerto-mw0001868228

有说大提琴的音色似男人，从自家音箱调得有点像话开始，更加喜欢耹听有cello的作品。感激楼主共享有关资讯。

这才是音乐的老烧 有营养。 学习。

J.C.巴赫　1首

J.C.巴赫这首大协的末乐章，短小精悍，精神抖擞。

另外提一下，J.C.巴赫的近20首交响协奏曲中（CPO录有6张的全集），三分之二有大提琴与其他乐器共同作为主奏乐器，可过大提琴之瘾。

霍夫曼  8首

霍夫曼作有各种协奏曲90几首，其中大协8首，这张拿索思收录了4首。俺认为，其部分协奏曲的质量绝对不俗啊。

霍夫曼简介：
https://en.wikipedia.org/wiki/Leopold_Hofmann