普勒耶尔  5首

这2张CD，为普勒耶尔的5首大协全集。

普勒耶尔简介：
https://en.wikipedia.org/wiki/Ignaz_Pleyel


The cello concertos of Ignace Pleyel may be generally unfamiliar to many listeners outside of a cello teaching studio. These five works have been greatly overshadowed by the cello concertos of Haydn and even Boccherini. This is truly a shame; while Pleyel's works may not have the virtuosic component of the Haydn concertos (particularly the D major), they are nonetheless well written for the instrument, graceful, and charming works.

The recording heard here by Erdody Chamber Ensemble with conductor and solo cellist Peter Szabo is generally acceptable, but is not as clean and precise as it could be. The orchestra's intonation is frequently imprecise, which is inexcusable in thin-textured, early classical works such as these. The wind section is most often the culprit of these problems, but the pitch of the upper strings also falls flat in the higher registers. This does not provide the most stable or pleasing background for the soloist. On the whole, Szabo's playing is graceful, clean, and usually nicely in tune. However, there are several startling and distracting moments when his fingers hit the fingerboard with such force as to create loud "thumps" in the middle of a line.

以上转自：
http://www.allmusic.com/album/ignace-pleyel-the-cello-concertos-complete-mw0001836502

宗施得克  1首

宗施得克曾演奏过大提琴，作有10首大协。

宗施得克简介：
https://en.wikipedia.org/wiki/Johann_Rudolf_Zumsteeg


Johann Rudolf Zumsteeg was born in Stuttgart and spent his whole life there. Even geographically his work stands as a middle point between that of the Berlin school and Schubert. He attended the Carlsschule, the military academy founded by the notoriously dictatorial Duke Carl Eugen of Württemberg. The poet Friedrich Schiller knew Zumsteeg from the age of ten, and the two artists remained in close contact—a friendship sealed by the shared adversity of their miserable student years. Zumsteeg, a cellist by training (he wrote ten cello concertos), provided the first incidental music for Schiller’s Die Rauber in 1782; after this he gradually turned his attentions to song. He was music master at the Carlsschule between 1785 and 1794, although towards the end of this time he ascended to the post of Konzertmeister in charge of court music. As a result there was a great revival of Mozart’s operas in Stuttgart and Zumsteeg himself had moderate success as an opera-composer. Goethe met Zumsteeg once in Stuttgart, and Schiller persuaded the poet to mount a performance of one of Zumsteeg’s operas in Weimar for the benefit of the composer’s widow after her husband, still a young man, had died of a heart attack. A great deal of his music remains unprinted. Like Reichardt, Zumsteeg had a daughter, Emilie (1796–1857), who became a song-composer of note.

以上转自：
http://www.hyperion-records.co.uk/c.asp?c=C1228

但济  2首

但济是管乐作品的大家，但也作有2首大协、6首中提琴与大提琴二重奏。

但济简介：
https://en.wikipedia.org/wiki/Franz_Danzi

隆伯格  10首

隆伯格是18世纪下半叶的大提琴大家，作有10首大协、6首大奏、6首大二重奏等，革新了演奏技巧，改进了大提琴，简化了乐谱谱号，培养了一批优秀学生。

隆伯格与贝多芬关系密切，贝多芬对隆伯格及其演奏评价很高，隆伯格多次与贝多芬一起演奏弦乐四重奏、钢琴三重奏、大提琴奏鸣曲。由于曾经不理解贝多芬的音乐，隆伯格还拒绝了贝多芬要为他写一首大协的心意，哈哈。

在俺听来，隆伯格的大协多少有些博凯里尼音乐的味道？

隆伯格  6首

隆伯格简介：
https://en.wikipedia.org/wiki/Bernhard_Romberg

贝多芬　8首

贝多芬的大奏，也是版本多多，可以各取所需。

与5首奏鸣曲相比，俺更爱听那3首变奏曲。

PHILIPS的小双张，为5奏鸣曲+3变奏曲共8首的全集。

老罗、老李1964年爱丁堡艺术节的现场录音，掌声热烈：

虽然历史不能假设，但当年如果隆伯格接受贝多芬为他写一首大协的心意，也许我们就能够听到贝多芬的大协啦，可惜啊。

卡萨尔斯的：

傅尼尔的：

密友的：

父子的：